搜索"1919" ，找到 部影视作品
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InSanFrancisco,thesportsmanKayHoogtellstothemembersofaclubthathehasfoundamessageinabottlewithamapfromaHarvard'smissingprofessortellingaboutatreasureofanIncalostcivilizationstillalive.HedecidestogotoPerutoseekthegold.However,membersofthesecretcriminalorganizationTheSpidersleadedbyLioShabreakinKay'smansionduringthenightandstealthemap.KayHoogtravelstoPeru,whereheretrieveshismapandadocumentabouttheDiamondShipfromTheSpiders.LaterhesavesthePriestessoftheSunNaelaandbringshertoSanFrancisco.However,TheSpiderskillNaelaandKayHoogpromisesrevengeforthedeathofhislove
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“SangenOmDenEldrödaBlomman”(“SongOfTheScarletFlower”)wasarecentandremarkablesilentsurpriseforthisHerrVon;theoeuvreisanexcellentHerrStillersilentfilmthatthisGermancountwatchedinanewlyrestoredandtintedcopy.Itcombinesthewell-knownaesthetics,technicalimprovementsandartisticmeritsforwhichtheNordicdirectorwasknownandpraisedsincethoseearlysilenttimestilltoday. ThefilmtellsofthemerryandcarefreelovelifeofyoungOlof(HerrLarsHanson)awoodsmanwhoduringhissearchfortruelove,seducesmanyfrauleins(justlikethisGermanaristocrat…well,notexactlybecausethepurposeofthisHerrVon’sseductionofrichfräuleinheiressesaretheirgreatfortunes…).Hewillsufferdisappointmentanddeception,allthoseproblemsthatturnupinanylovingrelationship.Finallyhewillfindresponsibilityandmaturity,learningduringhisparticularquestthathisactionsalwayshaveconsequencesindifferentdegreestothepeoplearoundhim.ThisHerrVoncandescribe“SangenOm…”asakindofcomingofagefilm,thespecialintrospectivegrowthtowardmaturityofafreeandeasyyoungster. AsthisGermancountsaidbefore,thefilmdisplaysStiller’scharacteristicartisticvirtues.;inthefirstpartofthefilm,wecanseeelementsofcomedy,notexactlylikethecomedyofintriguesinotherStillerfilms,buthumorofamorecheerfulsort,highlightingtheself-involvementofourhero.Olof‘sfrivolousflirtationswiththedifferentgirlseventuallyturnromanticandthenturnintodrama.ThereisconflictinthetroubledrelationshipbetweenOlofandhisfatherandlaterwiththefatherofhisbeloved.ThebeautifulandwildnaturallandscapesofNorrlandandnorthernSwedenlendthetaleacertainpowerandischaracteristicofHerrStiller’sothersilentswhereNatureemergesasanimportantcharacterinthestory.ThisisstronglyreflectedthroughoutthefilmbutespeciallyduringthefranticscenewhereinOlofdescendsintothetroubledwatersofariver,abeautifulmetaphorforthehardshipsthatourherohastoendureuntilhefindshimself. “SangenOmDenEldrödaBlomman”isanexcellent,beautifulfilm,asolid,technicallyperfectandintricateproductionof1919thatdemonstratesonceagaintheimportanceofHerrStillerforsilentfilmhistory.
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TwodifferencesbetweenthisAustrianversionandthegenerallyavailableAmericanversionareimmediatelyobvioustheydifferbothintheirlengthandinthelanguageoftheintertitles.TheAmericanversionisonly1,883metreslong-at18framespersecondadifferenceofsome7minutestotheAustrianversionwith2,045metres.Whereasweoriginallypresumedonlyanegligibledifference,resultingfromthevaryinglengthoftheintertitles,adirectcomparisonhasneverthelessshownthattheAustrianversiondiffersfromtheAmericanversionbothinthemontageandinthedurationofindividualscenes.YethowcouldithappenthatthelaterregionaldistributionofacanonicalUSsilentfilmwaslongerthantheoriginalversion TheprevalentAmericanversionofBlindHusbandsdoesnotcorrespondtotheversionshownatthepremiereof1919.Thislittle-knownfactwasalreadypublishedbyRichardKoszarskiin1983.Thefilmwasre-releasedbyUniversalPicturesin1924,inaversionthatwas1,365feet(416metres)shorter.At18framespersecond,thisamountstoatimedifferenceof20minutes!Titleswerealtered,snippetsofactionremovedandatleastonemajorscenetakenoutentirely,wherevonSteubenandMargaretvisitasmalllocalchapel.(Koszarski) FromthepresentstateofresearchwecanassumethatalltheknownAmericancopiesofthefilmderivefromthisshortenedre-releaseversion,acopyofwhichUniversaldonatedtotheMuseumofModernArtin1941.AccordingtoKoszarskitheoriginalnegativeofthefilmwasdestroyedsometimebetween1956and1961andhasthereforebeenirretrievablylost.ThisinformationcastsaninterestinglightontheAustrianversion,whichcanbedatedtotheperiodbetweenthesummerof1921andthewinterof1922.Furthermore,thecopyissome200metreslongerthantheUSversionof1924.IfonefollowsthedetailsgivenbyRichardKoszarskiandArthurLennig,thismeansthat,asfarasbothitsdateanditslengthareconcerned,theAustrianversionliesalmostexactlyinthemiddlebetweenthe(lost)versionshownatthepremiereandthere-releasedone.Alargepartoftheadditionallengthofthefilmcanbetracedtocutsthatweremadetothe1924versioninalmosteveryshot.Koszarskidescribeshowthebeginningandtheendofscenesweretrimmed,inordertospeedupthefilm.However,moreexcitingwasthediscoverythattheAustrianversioncontainsshotsthataremissingintheAmericanone-shotscountershots,intertitles-andfurthermoreshowsdifferencesinitsmontage(i.e.theplacingoftheindividualshotswithinasequence).AllthisindicatesthatDieRachederBergeconstitutestheoldestandmostcompletelypreservedmaterialofthefilm.
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LadyMaryLasenbyisaspoiledmaidenwhoalwaysgetsherwayuntilshipwreckedwithherbutler,thenlearnswhichqualitiesarereallyadmirableinaperson.
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中国青年程桓（理查德·巴塞尔梅斯RichardBarthelmess饰）远赴伦敦，希望能够在异国他乡传授佛教教义。哪知道理想丰满现实残酷，抑郁不得志的程桓不仅荒废了事业，还沾染上了鸦片，整日生活在颓废沮丧之中。 一次偶然中，程桓邂逅了名为露丝（丽莲·吉许LillianGish饰）的美丽女孩。露丝有着极为凄惨的身世，她的父亲巴汀（唐纳德·克里斯普DonaldCrisp饰）是一名个性凶残的酒鬼，常在喝得酩酊大醉之后对露丝大打出手。同样悲惨的遭遇让两颗孤独的心越靠越近，终于，不堪忍受父亲折磨的露丝离家出走，程桓收留了她。好景不长，巴汀很快就找到了露丝的踪迹，将她强行带回了家，等待着露丝的，将是又一轮如同狂风暴雨一般的折磨。